DreamWorks Animation Studios has announced the addition of a black female heroine (gasp!) to its repertoire of white dogs, green ogres, snails, Neanderthals, pandas, white people and Antz. In doing so, it joins an elite club consisting of … well, nobody.
Not one major Hollywood studio has released a computer animated feature starring a black character.
Every time something crazy happens here in the real world, the film industry jumps on it before the smoke has even cleared. Unfortunately for our favourite superheroes, it’s starting to get in the way of their credibility!
Movies competing within a cinematic universe? Why the hell not?
MediAvengers is an MCU media blog. Magazine spreads and newspaper articles made by fans, for the fans of the Marvel Cinematic Universe.
Blue Lobster (Langosta Azul)
"A strange, early piece of Colombian surrealism, written by Gabriel Garcia Marquez, recalling Bunuel’s Un Chien Andalou.”
(29 minutes, Columbia, 1954)
Rest in peace, sir.
If you’ve seen Darren Aronofsky’s Noah, you may have noticed something a little weird about the semi-Biblical, semi-apocalyptic cast of the movie: they’re all white. Even the extras.
In an interview with The Higher Calling, Noah screenwriter Ari Handel spoke about the reasoning behind the lack of racial diversity in the cast.
“From the beginning, we were concerned about casting, the issue of race. What we realized is that this story is functioning at the level of myth, and as a mythical story, the race of the individuals doesn’t matter. They’re supposed to be stand-ins for all people. Either you end up with a Bennetton ad or the crew of the Starship Enterprise. You either try to put everything in there, which just calls attention to it, or you just say, ‘Let’s make that not a factor, because we’re trying to deal with everyman.’ Looking at this story through that kind of lens is the same as saying, ‘Would the ark float and is it big enough to get all the species in there?’ That’s irrelevant to the questions because the questions are operating on a different plane than that; they’re operating on the mythical plane.”
In summary, white people are stand-ins “for all people,” and no other race could possibly qualify for “everyman” status. Ari Handel’s reasoning is that the only way to dispense with the issue of racism is to remove everyone who isn’t white. Asking what happened to all the other races is akin to nitpicking about whether the arc would float or not. It’s just silly, OK? “The race of individuals doesn’t matter,” which is why they made absolutely sure that all of those individuals were white. Or something.
Unintentionally, Handel managed to illustrate everything that’s wrong with the ongoing attitude towards casting actors of color in major Hollywood movies. White people are the norm, and everyone else is just a distraction. God forbid anyone attempt to be as diverse as the cast of the Star Trek, which debuted in 1966 and included a grand total of two non-white characters.
Who really benefits from the pink ribbon campaigns: the cause or the company? In showing the real story of breast cancer and the lives of those who fight it, this film reveals the co-opting of what marketing experts have labeled a “dream cause.”
Everyone should take the time to watch the documentary Pink Ribbons, Inc.
Watch it on
Youtube (for now…) (x)
Really, a very well researched, fascinating and powerful documentary. It’s especially horrifying/interesting when they discuss how the breast cancer movement became de-radicalized and divorced from its feminist and queer roots. One of my favorites and I highly recommend.